Still Mine

By: Amy Stuart


(I could never have done this without)


Sometimes I dream of my escape. In my sleep I conjure a way out, another life waiting for me beyond this one. Sometimes I am climbing, or driving, or falling through a void with no clear place to land. But most often I am running, sprinting through the field and into the trees, my clip too fast for you to catch me.

Even in the version where I’m falling there’s this relief at having finally shed it all, these people, this place, you. The shame is gone, just like that. Replaced by a perfect calm. And do you know the strangest part? It feels good. I am free of your anger, and I don’t care how long it will take for you to notice I’ve disappeared. The dream doesn’t halt at the door to consider these things, because by the time it begins I am already gone.


With the moonless sky, Clare doesn’t see the mountains closing in. But then the road begins to rise and she knows she’s driving through the foothills, then come the switchbacks and the hum and pop in her ears, and finally the peaks and shadows, blank spots in the ceiling of stars. By dawn the mountains crowd the long vista of her rearview mirror, she is deep among them, and Clare guesses she’s covered nearly six hundred miles since sunset.

Drive west into the mountains, Malcolm said. Then cut north to Blackmore.

Clare climbs one last hairpin turn before signs of life pepper the roadside, peeling billboards first, then a scattering of ramshackle buildings. Her car lurches and revs, the ascent of this narrow road too much for its old engine. She passes a sign hammered right into rock: WELCOME TO BLACKMORE: POPULATION 2500, the word zero spray-painted across it in black. The road flattens out and Clare reaches the row of storefronts that marks the town proper. Most of them are shuttered with plywood, the main strip devoid of cars and people.

Beyond the lone stoplight Clare finds the motel. She turns in and parks. Weeds grow through cracks in the asphalt, the motel L-shaped and bent around an empty swimming pool, its neon sign unlit. The barrenness washes over Clare, eerie and surreal, like a movie set built and then abandoned. Panic cuts through her, a grip tight around her chest, the coffee she’d picked up at a gas station hours ago still whirring through her veins.

The folder Malcolm gave Clare sits on the passenger seat. She flips it open. On top is a news article dated ten days ago: “Blackmore Woman Missing Since Tuesday.” Next to the text is a grainy photograph of a gaunt and unsmiling woman named Shayna Fowles. Clare examines the photo. They are roughly the same age, their hair the same deep brown, their skin fair, alike in certain features only. Is she imagining the resemblance, imposing herself on this woman?

This is your job, Malcolm said. You will go to Blackmore. See what you can find.

The car fills with the dampness of the outside air. Clare leans back against the headrest and closes her eyes. She thinks of Malcolm across from her in that diner booth, sliding the folder over to her, his own meal untouched. She had wanted only to get away from him, and Blackmore was the option on offer. Now she must gather herself up, muster the nerve to introduce herself to strangers, tell them her name, or at least the name Malcolm chose for her. Clare grips the dewy handle of the car door and lifts her backpack. Though she hasn’t worn her wedding ring in months, her finger still bears its dent.

Time to go.

At the motel reception Clare rings the bell once, then again when no one comes. She can hear the muffled din of a TV. Behind the desk the room keys hang in a neat row. Black mold snakes around the windows and patches the carpet in the corners.

“Hello?” Clare’s voice barely rises above a whisper.

Nothing. In her exhaustion, Clare cannot decide what to do next. At dawn, she’d pulled in to a lakeside rest area, walking straight past the picnic tables and the outhouse, wading thigh deep into the lake, catatonic, transfixed by the vast, jagged landscape of snow-peaked mountains. A foreign land. She’d hoped to take a warm shower. Malcolm told her about this motel. Clare slams her hand down hard on the bell.

The door at the far end of the office opens. A man in his sixties peers through, wiping his mouth with a napkin.

“We look open to you?” He tosses the napkin over his shoulder.

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